Research and Publications
Details of Arts and Humanities faculty research can be found in RESEARCH@Babson College, a publication of the Babson Faculty Research Fund.
Knot This Broken Thread. Chicago, IL: 2054 press, 2011
Bad Pennies and Dead Presidents: Money in American Drama 1935-2001, Cambridge Scholars Press, 2012.
Reclams Lexikon der Shakespeare-Zitate. Stuttgart: Reclam, 2014.
Elizabeth Swanson Goldberg
Beyond Terror - Gender, Narrative, Human Rights, Rutgers University Press, 2007.
Reflets réciproques: A Prismatic Reading of Stéphane Mallarmé and Hélène Cixous, Peter Lang Publishing, April 2006.
Acting: Behind the Silver Screen. Co-edited with Claudia Springer. Rutgers University Press, 2015.
Alexander Payne Interviews (Conversations with Filmmakers series), University Press of Mississippi. 2014.
The American Success Myth on Film, Palgrave Macmillan, 2012.
Michael Gerhard Martin
Easiest If I Had A Gun. Pittsburgh: Braddock Avenue Books, 2014
Insurgent, Poet, Mystic, Sectarian: The Four Masks of an Eastern Postmodernism (SUNY, 2015).
The Radical Unspoken: Silence in Middle Eastern and Western Thought, Routledge, 2013.
Inflictions: The Writing of Violence in the Middle East, Continuum, 2012.
The Chaotic Imagination: New Literature and Philosophy of the Middle East, Palgrave, 2010.
Before the House Burns. Dublin: The Lilliput Press, 2010. Novel.
Among These Winters, The Dedalus Press, 2007.
Tulle, Salmon Poetry, 2002.
Portal. Cliffs of Moher, County Clare, Ireland: Salmon Poetry, 2014.
The Iroquois and the Athenians: A Political Ontology, coauthored with Thomas Thorp (St. Xavier University, Chicago), Lexington Books/Rowman & Littlefield, 2013.
Living with Class: Philosophical Reflections on Identity and Material Culture, coedited with Ron Scapp (College of Mount Saint Vincent), Palgrave Macmillan, 2013.
With Ron Scapp, eds. Fashion Statements On Style, Appearance, and Reality. New York: Palgrave Macmillan, 2010.
With Ron Scapp, editors, Etiquette - Reflections on Contemporary Comportment, State University of New York Press, 2007.
Courageous Vulnerability, Studies in Contemporary Phenomenology. Leiden: Brill, 2010.
Ancient Nubia: African Kingdoms on the Nile, Marjorie M. Fisher, Peter Lacovara, et al., eds., American University in Cairo Press, Cairo, 2012.
“Seasons of Violence, Seasons of Grace.” North Dakota Quarterly. May, 2014. Nominated for a 2015 Pushcart Prize.
“Sunset House.” Slush Pile Magazine. Volume 16. Spring, 2014.
“Literary and Real-Life Salesmen and the Performance of Class,” in Living with Class: Philosophical Reflections on Identity and Material Culture, Ed. Ron Scapp and Brian Seitz, Palgrave MacMillan, 2013.
"’A Full Refund Aint Enough’: Money in Suzan-Lori Parks’s Red Letter Plays." Ed. Philip Kolin. Essays on Suzan-Lori Parks. New York: McFarlane, 2010.
“’The Jungle is Dark and Full of Diamonds’: Natural Value and the Logic of Naturalism in Death of a Salesman
,” in Critical Insights: Death of a Salesman
, Ed. Brenda Murphy, Salem Press, 2010.
and Marta Rivera Monclova, "'We erred, we lost, we lived to tell': The Hip-Hop Gothic of Black Artemis's Explicit Content," Studies in American Fiction 41.1 (2014): 131-46. Print.
“Urban Gothic in Charlotte Dacre’s Zofloya,” European Romantic Review 24.6 (2013): 683-697. Web.
“Reading Margaret Fuller.” Resources in American Literary Study. 37 (2014):273-85.
Brown, Charles Brockden. Collected Writings of Charles Brockden Brown. Vol. 1: Letters and Early Epistolary Writings. Ed. Philip Barnard, Elizabeth Hewitt, and Mark Kamrath. John Holmes and Fritz Fleischmann, Contributing Editors. Lewisburg, PA: Bucknell UP, 2013.
Faltin, Günter. Brains versus Capital: Entrepreneurship for Everyone. Trans. Lois Feuerle. Edited, with an Introduction, by Fritz Fleischmann. Berlin: Stiftung Entrepreneurship, 2013.
"’A Right Manly Man’ in 1843: John Neal on Women’s Rights, Masculinity, and the Problem of Male Feminism." In John Neal and Nineteenth-Century American Literature and Culture, ed. Edward Watts and David Carlson. Lewisburg, PA: Bucknell UP, 2012. 247-270.
"John Neal." Encyclopedia of the American Enlightenment, ed. Mark Spencer. New York and London: Continuum, 2012
Elizabeth Swanson Goldberg
“Victims, Perpetrators, and the Limits of Human Rights Discourse in Post-Palermo Fiction about Sex Trafficking.” With Alexandra Schultheis Moore. The International Journal of Human Rights. 16:1 (2015). 16-31.
“‘Let Us Begin with a Smaller Gesture’: An Ethos of Human Rights and the Possibilities of Form in Chris Abani’s Song for Night and Becoming Abigail.” With Alexandra Schultheis Moore. Ariel: A Review of International English Literature. 45:4 (2014). 59-87.
"Human Rights." In Critical Terms for Gender Studies. Ed. Catharine R. Stimpson and Gilbert Herdt. Chicago: University of Chicago Press. 2014. 139-155.
Human Rights and Cultural Forms. Ed. Greg Mullins, Elizabeth Swanson Goldberg, Alexandra Schultheis Moore. Special Issue, College Literature. Summer 2013. "Introduction: On Texts and Performances," 9-14.
"Meditations on a Fractured Terrain: Human Rights and Literature." College Literature: A Journal of Critical Literary Studies. Special Issue: Human Rights and Cultural Forms. Ed. Elizabeth Swanson Goldberg, Alexandra Schultheis Moore, and Greg Mullins. 40.3 (Summer 2013) 15-37.
"’Accorded a Place in the Design:’ Torture in Post-Apartheid Cinema." Screening Torture. Ed. Michael Flynn and Fernández Salek. New York: Columbia University Press, 2012. 167-190.
"Review: African Diasporas: Ancestors, Migrations, and Boundaries." Journal of the African Literature Association. Fall, 2012.
New Frontiers, cross-currents and convergences: emerging cultural paradigms (with Madhu Dubey). The Cambridge History of African American Literature, 2011: 566-617.
with Alexandra Schultheis Moore, Eds. Theoretical Perspectives on Human Rights and Literature. "Introduction: Human Rights and Literature: The Development of an Interdiscipline." 3-19. "Epilogue." 261-264. New York: Routledge, 2011.
"Plotting, Finally, the Human: Unsettling the Manichean Allegory in Caryl Phillips’ Cambridge and A Distant Shore." South Atlantic Review. Special Issue: Caryl Phillips. Ed. Hunt Hawkins. 2011.
"Intimations of What Was to Come: Edwidge Danticat’s The Farming of Bones and the Indivisibility of Human Rights." Theoretical Perspectives on Human Rights and Literature. Ed. With Alexandra Schultheis. New York: Routledge, 2011. 103-119
and Alexandra Schultheis Moore. "Old Questions in New Boxes: Mia Kirschner’s I Live Here and the Problem of Transnational Witnessing." Special Issue: Gender and Humanitarian Narrative." Ed. Samuel Martinez. Humanity. Spring 2011. 233-253.
and Madhu Dubey. "Cross-Currents and Convergencies: Emerging Paradigms." The Cambridge History of African American Literature. Ed. Maryemma Graham and Jerry Ward. Cambridge: Cambridge University Press, 2011. 566-620.
“Songs of Sam Lucas.” Twelve newly recorded songs, background essay, liner notes. With vocalist Chad Runyon. Center for Popular Music, Murfreesboro, TN, 2013. <http://popmusic.mtsu.edu/lucas/lucas.html>
"The Fisk Jubilee Singers." In J. R. Watson and Emma Hornby, Canterbury Dictionary of Hymnology (online only), 2013.
Grove Dictionary of American Music, 2nd ed. (Oxford University Press, 2013, in print and online), 16 articles including "Abolition, Music and"; “Musical Theater, §1860–1900”; "Fisk Jubilee Singers"; "Johnson, J. Rosamond"
“Reframing Negro Spirituals in the Late Nineteenth Century,” in John Koegel (ed.), Music, American Made: Essays in Honor of John Graziano, Detroit Monographs in Musicology / Studies in Music (Sterling Heights, MI: Harmonie Park Press, 2011), ch. 27
“Performance as Research (PAR) in North American Ethnomusicology,” in Shannon Rose Riley and Lynette Hunter (eds.), Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies (Palgrave Macmillan, 2009), 99–106
“On the Road to Freedom: The Contracts of the Fisk Jubilee Singers,” American Music 24/1 (2006): 1–29
“Militarism and Pacifism in Shakespeare’s Antony and Cleopatra.” The International Journal of Literary Humanities 11.3(May 2014): 19-25.
“Individualism or Narcissism? Using Charles Taylor’s Concept of Authenticity to Frame a First-Year Humanities Seminar.” The International Journal of Learning in Higher Education, 19.2 (2013): 63-70.
“Strindberg’s Miss Julie and the Democratization of Personal Life.” Explorations in World Literature, from Ancient to Contemporary. Eds. George Poulos & Stavroula Varella. Athens: Athens Institute for Education and Research, 2013, 73-80.
"Humors, Neuroses, and Falling in Love in Julian Barnes’s Talking It Over and Love, etc.," The International Journal of the Humanities 9.9 (2012): 178-192.
and Phyllis Moriarty. "Georg Simmel’s ’The Metropolis and Mental Life’: An Anchor for the First-Year Core." Who Are We: Old, New, and Timeless Answers from Core Texts. Eds. Robert D. Anderson, Molly Brigid Flynn, J. Scott Lee. Lanham, MD: UP of America, 2011. 35-40.
"A Yearlong General Education Course Using ‘Reacting to the Past’ Pedagogy to Explore Democratic Practice." The International Journal of Learning 16.11 (2009): 147-56.
“Global Film Across the Curriculum: Narrative Imagination and Pedagogical Innovation,” co-authored with Jenny Rademacher. Evolving Entrepreneurial Education: Innovation in the Babson Classroom, Eds. Victoria L. Crittenden, Kathy Esper, Nathanial Karst, and Rosa Slegers, Emerald Group Publishing, 2015.
“Acting: The Auteur Renaissance, 1968 – 1980” in Acting: Behind the Silver Screen. Series ed. Jon Lewis; volume eds. Claudia Springer and Julie Levinson. Rutgers, NJ: Rutgers University Press, 2015.
“Time and Time Again: Temporality, Narrativity and Spectatorship in Christian Marclay’s The Clock.” Cinema Journal, vol. 54: 3, Spring 2015.
"Teaching Research Methodologies to the Professionally-Oriented Honors Student," co-authored with Richard Mandel. Honors in Practice, vol. 8, Spring 2013.
Michael Gerhard Martin
“Jesus In The Bin.” Shortlisted for the Disquiet International Literary Program Short Play Contest. April 2, 2015.
“Alone, Together in Space with Michael Gerhard Martin,” (craft essay), Bayou Magazine blog, February 3, 2015. Click here to read.
"Made Just for Ewe!" Finalist for the Nelligan Prize for Short Fiction through Colorado State University (2012). Also in the museum of americana: a literary review Issue #7, January 29, 2015. Click here to read.
“Men Writing Women,” (craft essay), Pank Magazine blog, January 14, 2015.
“Expert Advice: Insights from Awesome Summer Writing Programs.” Imagine Magazine 22:4 (2015): 27.
“Search Me,” Winner, Theater of Words & Music/Salem Literary Festival micro-fiction contest, November 2014.
“The Media’s Obsession With Robin Williams’ Death Made My Own Depression Worse,” (essay), Salon.com, August 22, 2014.
“Seventy-Two Pound Fish Story” (short fiction), The Ocean State Review, Summer 2014
"Shit Weasel is Late for Class." Bayou Magazine #61. May 2014. Print.
“The Monster at the End of The Book: A Review of Barbara Gowdy’s Helpless” (review), Junctures: The Journal for Thematic Dialogue, January 2009 (New Zealand; www.junctures.org)
and Kathleen Kelly. "Georg Simmel’s ’The Metropolis and Mental Life’: An Anchor for the First-Year Core." Who Are We: Old, New, and Timeless Answers from Core Texts. Eds. Robert D. Anderson, Molly Brigid Flynn, J. Scott Lee. Lanham, MD: UP of America, 2011. 35-40.
"Closeout." Visual Verse 2:5 (March 2015).
“Jules Verne Seeks Dreamers for Long-Distance Travel in Time.” Sunday Times UK. March 2015. Short story.
“The Rakes of Mallow.” Kenyon Review/ KROnline. Winter 2014-15.
“An Bás/ Death.” “Banfhile/ She-Poet.” “An Cat/ The Cat.” “Súile Donna/ Brown Eyes.” “Piscín/ Kitten.” Selected Poems of Seán O Ríordáin. Ed. Frank Sewell. Cló Iar-Chonnact/ Yale University Press, 2014. Translated poems.
"The Sweet Forbearance in the Streets." The Irish Times 28 Sept 2013. Winner of the Legends of the Fall short fiction contest. Short story.
"Ghost Estate." Literary Imagination 15.1 (March 2013): 213-216. Nominated for a 2014 Pushcart Prize. Short Story.
"Honest, or Nine Precious Insights." The Drum. Audio journal. January 2013. Short Story.
"The Eighties." "My Daughter in Winter Costume." "Catalepsy. Provoked by the Sound of a Tuning Fork." "Dauernarkose." "Leading the Apes in Hell." Selected collected and uncollected poems, accompanied by essay by Kate Dempsey. Featured Poet. Poetry International. August 2012.
"Sand." Salamander 17.2 Special All-Fiction Issue. Summer 2012: 18-30. Nominated for a 2013 Pushcart Prize. Short Story.
"Lethargy. Resulting from the Sudden Extinction of Light." Eds. Ars Medica journal. Body and Soul: Narratives of Healing from Ars Medica. Toronto, Canada: University of Toronto Press, 2011.
"My Daughter in Winter Costume." Shine On. Ed. Pat Boran. Dublin: Dedalus Press, 2011.
"Leading the Apes in Hell." The Bee-Loud Glade: a Living Anthology of Irish Poetry. Ed. Pat Boran. Dublin: Dedalus Press, 2011.
"On Tickling." "Harmony in Blue." Irelandesas: 14 Poetas
Contemporáneas. Selección, traducción y prologo: Leonor Silvestri. Buenos Aires, Argentina: Bajo La Luna, 2011. O’Donoghue poems in Spanish translation.
"Osh Kosh B’Gosh." Fashion Statements: On Style, Appearance and Reality. Eds. Ron Scapp and Brian Seitz. Palgrave Macmillan, 2010. (Poem.)
agus rud eile de./ and another thing. Louis de Paor. Translations by Kevin Anderson, Biddy Jenkinson, and Mary O’Donoghue,with the author. Indreabhan. Conamara: Cló-IarChonnachta, 2010. Translations.
"A.P." Literary Imagination 12.1 (March 2010): 111-118. Short story.
“Fragment House,” collaboration with Danielle Krcmar, The Ocean State Review 3.1 (2013): 200-202. (poem)
“Gone in Search,” Salamander 18.2 (Summer 2013): 111. (poem)
“Seasons on a (Prairie) Frontier: Notes on Process & Form in the Making of a Long Poem,” (essay) (In) Scribing Gender: International Female Writers and the Creative Process. Ed. Jen Westmoreland Bouchard, Diversion Press, 2011.
“Hep,” (essay) Stepping on My Brother’s Head and Other Secrets Your English Professor Never Told You. Eds. Charles Schuster and Sondra Perl. Portsmouth, NH: Heinemann-Boynton/Cook (2010).
"Song Net for an Estuary," The Iowa Review. 40:3 (2010): 13-27. (Poem.)
“Antietam Primer,” (poem) Boston Review, Spring 2009.
“Crossties,” (poem) The Southern Review, Winter 2009.
“Minnesota Burial: Plainsong,” “Philanthropist,” and “To Rivers,” (poems) ISLE: Interdisciplinary Studies in Literature and the Environment, Winter 2009.
“The Weight of the Dislodged” and “Theory of Disappearance,” Prairie Schooner (poems) Spring 2009.
“Voice(s) of the Poet-Gardener: Alice Oswald and Poetry of Acoustic Encounter,” (essay) Interdisciplinary Literary Studies: A Journal of Criticism and Theory—Special Issue on Ecopoetics. Ed. Ian Marshall. Penn State, Altoona, Summer 2009.
“Global Film Across the Curriculum: Narrative Imagination and Pedagogical Innovation,” co-authored with Julie Levinson. Evolving Entrepreneurial Education: Innovation in the Babson Classroom, Eds. Victoria L. Crittenden, Kathy Esper, Nathanial Karst, and Rosa Slegers, Emerald Group Publishing, 2015.
“Sex and the City: Detective Petra Delicado and Questions I Couldn’t Help But Wonder.” Monographic Review/Revista Monográfica, Vol XXVIII (2012) (published summer 2013): 175-191.
“Playing for Real: Simulated Games of Identity in Spain’s Gen X Narrative.” Gen X Goes Global: Mapping a Youth Culture in Motion. New York/London: Routledge, 2013.193- 221.
"The Art of Seduction: Truth or Fanfiction in the Worlds of Lucia Etxebarria’s Online ’Friends’ and the Blogosphere." Hispanic Issues/Hispanic Issues On-Line Vol 9: Hybrid Storyspaces: Redefining the Critical Enterprise in 21st Century Literature, Spring 2012.
"Postmodern Quest and the Role of Distance in Antonio Muñoz Molina’s El Invierno En Lisboa." Contemporary Literary Criticism. Gale/ Cengage, 2010
"Transatlantic Crossings: Post-Dictatorship Transitions and Cultural Transformations in Spain, Argentina, Chile." Proc. of International Conference on Development & Assessment of Intercultural Conference, University of Arizona. 2010.
"Queer Transitions in Contemporary Spanish Culture: From Franco to La Movida." Journal of Spanish Cultural Studies 10.3 (2009): 375-77.
"Review." Rev. of Fuentes: Lectura Y Redacción. 2009.
“Freud’s Dream of the Double,” Continental Philosophy Review, Vol. 27, No 2, June 2014.
“Blurring Boundaries: Freedom, Enclosure, and Death,” in Old World and New World Perspectives on Environmental Philosophy, ed. Martin Drenthen and Josef Keulartz (Springer), 2014: 199-207.
“The Other Subject of Husserl,” Epoché: A Journal for the History of Philosophy, Vol. 18, No. 2, Spring, 2014.
"Foucault and the Subject of Stoic Existence," Human Studies, November 2012.
"Precisely Not Me: The Double in Dostoevsky," The Dostoevsky Journal: An Independent Review, Vols. 12-13, 2011-2012.
"Hunting for Meaning: A Glimpse of the Game," Hunting - Philosophy for Everyone: In Search of the Wild Life, ed. Nathan Kowalski (Wiley-Blackwell), 2010.
"Intersubjectivity and Death: Heidegger and the Iroquois." Comparative and Continental Philosophy, Spring, 2010.
“A Critique of Business School Narratives and Protagonists - With Help from Henri Bergson and Friedrich Nietzsche,” Research in Ethical Issues in Organizations special issue: The Contribution of Fiction to Organizational Ethics (Emerald: 2014).
“Revaluating Vanity: Adam Smith as Moral Exemplar for Business Education,” Research in Ethical Issues in Organizations (Emerald: 2013).
“A Pragmatist Approach to Emotional Intelligence and Managerial Regret,” American Pragmatism in Organization and Management. Routledge Advances in Management and Business Studies (Routledge: 2013).
“A Virtue-Based Approach to Business Ethics: Insights from Aristotle and Sociobiology,” Leadership and Management (Athens: 2013).
"Unsettling Banality: The Unheimlichkeit of Evil," Perspectives on Evil (Inter-Disciplinary Press: 2013).
“Forebodings: From Uncanny to Evil,” Janus Head, Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and the Arts (Trivium Publications, 2013).
"'It Sounds Wonderful, Doesn't It?': Promises of Marriage in the Plays of Eugene O'Neill." Eugene O'Neill Review 35 (2014).
"Critical Lens: A Rhetorical Approach to O’Neill’s Early Wife Characters." Critical Insights: Eugene O’Neill. Steven Bloom, ed. Ipswich, MA: EBSCO Publishing Incorporated (2012).
"Long Day’s Journey into Night." Eugene O’Neill Review 34, performance review (2012)
"A Moon for the Misbegotten." Eugene O’Neill Review 32, performance review, 2010: 218-222.
“The Kushite Nature of Early Meroitic Mortuary Religion: A Pragmatic Approach to Osirian Beliefs”, in Ein Forscherleben zwischen den Welten. Zum 80. Geburtstag von Steffen Wenig, Berlin, 2014, 395-405 2-B
“The Chronology and Attribution of Royal Pyramids at Meroe and Gebel Barkal: BEG N 8, BEG N 12, BAR 5 and BAR 2”, Journal of Ancient Egyptian Interconnections V, March 2014.
“La transition entre le Napatéen tardif et l’Epoque méroïtique, d’après les recherchessur la nécropole royale sud de Méroé”, Bulletin de la Société Française d’Égyptologie, no. 174, Paris 2009, 8-28.
“Charles Brockden Brown and Women’s Rights.” Oxford Handbook on Charles Brockden Brown, ed. Philip Barnard and Stephen Shapiro. Oxford University Press. Forthcoming 2016.
"Margaret Fuller's Socialism." Nineteenth Century Prose 42.2 (Fall 2015): 181-210.
"What is Entrepreneurial Thinking? Ten Theses and Provocations." Handbuch Entrepreneurship, ed. Günter Faltin. Heidelberg, Germany: Springer-Verlag. Forthcoming 2015.
Elizabeth Swanson Goldberg
Teaching Human Rights in Literary and Cultural Studies. Ed. Elizabeth Swanson Goldberg and Alexandra Schultheis Moore. Modern Language Association Options for Teaching Series. “Introduction: Charting New Courses: Teaching Human Rights in Literary and Cultural Studies,” 1-10. Forthcoming 2015.
“Beyond the Post/Colonial and the West.” With Alexandra Schultheis Moore. In Teaching Human Rights and Literature and Cultural Studies. Ed. Alexandra Schultheis Moore and Elizabeth Swanson Goldberg. New York: Modern Language Association Press. Forthcoming 2015
From Slave Song to America’s Music: The Popularization of Spirituals (University of Illinois Press, book in preparation)
"Composing in Black and White: Code Switching in the Songs of Sam Lucas." In Patricia Hall (ed.). The Oxford Handbook of Music Censorship (2015).
Michael Gerhard Martin
“Equity.” Rust Belt Chic/Belt Publishing Pittsburgh Anthology, forthcoming late 2015.
“Tréigean/ Abandonment.” “Macha/ Macha.” "Ba chlos dom cór"/ I heard a choir." " Nóibhíseach/ Novice." “An Croí/ The Heart.” “Madonna/ Madonna.” “Gorta/ Famine.” "An fear marbh/ The dead man." Poems of Colm Breathnach. Leabhar na hAthghabhála/ Poems of Repossession 1900-2000. Ibid. Forthcoming 2015.
“An Gealt/ The Madwoman.” “Tost/ Silence.” “Claustrophobia/ Claustrophobia.” “Fiabras/ Fever.” “Reo/ Ice.” Poems of Seán Ó Ríordáin. Leabhar na hAthghabhála/ Poems of Repossession 1900-2000. Anthology of Twentieth-Century Irish Language Poetry. Ed. Louis de Paor. Hexham, Northumberland: Bloodaxe Books, 2016. Forthcoming.
“Bluffline, Loess Hills, Iowa.” Down to the Dark River: Poems on the Mighty Mississippi. Ed. Philip Kolin and Jack Bedell. Hammond, LA: Louisiana Literature Press, 2015.
“Direct Address.” Dead in Good Company: A Celebration of Mount Auburn Cemetery. Ed. John Garp and Kim Nagy. Medford, MA: Epilog Books, Inc., Forthcoming 2015.
“Entrepreneur-chic(a): Spain’s Female Milennials and Economic Resurgence” (tentative title) with co-authors, Gayle Allard and Vanina Farber, Instituto de Empresa (Madrid, Spain). Submitted to the International Journal of Entrepreneurship and Small Business, special issue on Gender Issues in Entrepreneurship. Forthcoming 2015
Intersubjectivity and the Double: A Troubled Subject, Palgrave Macmillan, forthcoming, 2016.
“Arts and the Entrepreneur: The Sorenson Center for the Arts” in Evolving Entrepreneurial Education: Innovation in the Babson Classroom, Emerald Publishing (forthcoming).
“The Second Girl.” Eugene O’Neill Review 36.2, performance review (forthcoming).
“The Family of Arkamani I in the Southern Cemetery at
Meroe”, Beiträge für Sudanarchäologie
, Vienna. Forthcoming 2015.